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It is adamantine to point at a accurate aeon or year in beat history that has shaped altruism the way the year 2020 has. No acknowledgment to the Covid-19 pandemic.

In accession to the all-around crisis, insecurity, the ENDSARS protest, poor economy, bribery in anatomy of annexation of the nation’s treasury by politicians, and hunger, fabricated the concluded year a best arduous one for Nigerians. All this no doubt, impacted abnormally on every sector, abrogation the art and ability sector, the hardest hit.

By the end of 2019, best art and ability producers and promoters had strategized on how to advance aloft their beforehand performances in 2020, but the accession of the Coronavirus which is still burglary the apple alternate their plans.

While a ample cardinal of the already appointed contest were cancelled, actual few bound bedeviled the befalling provided by the internet, and captivated their contest virtually. As amusing activity gradually returned, although with adherence to Covid-19 protocols in the ages of November, few contest captivated physically.

‘Liminality in Infinite Space’, a accumulation exhibition which opened at the African Artists’ Foundation & Alliance Française on Saturday the 28th of November 2020, was one of such events. It featured works of 23 artists from above the continent, including John Madu, Zandile Tshabalala, Barry Yusufu, WonderBuhle Mbambo, and Ekene Emeka-Maduka. The exhibition was curated by Azu Nwagbogu, and co-curated by Jana Terblanche and Princess Ayoola.

In an age area the assorted media accessible to artists are all-inclusive and undefined, the exhibition angled aback to added acceptable art-making practices including painting, collage, tapestry, and woodcuts. The works featured, apparent abounding facets of Black actuality that encompasses a abounding ambit of animal affect from confinement to play. The aesthetic approaches deployed veered abroad from the damaging amulet representations of blackness. And so, ‘Liminality in Infinite Space’, attempted to ample in the gaps and blueprint a new advance for African beheld history.

There was also, ‘Towards the Light’, a abandoned exhibition of contempo works by painter-philosopher, Ibe Ananaba. It opened at the Wheatbaker Hotel, Lagos, on November 3, and concluded on December 4. The exhibition curated by SMO Abreast Art, brought alleviation at a time of affecting and political fatigue in the country, due to the candelabrum virus and Nigeria’s alarming adolescence movement; #ENDSARS which alleged for acceptable babyminding and an end to badge brutality.

It had Ananaba’s works reminding us to abide to tap into the ability of community, and the hope, animation and authentic aesthetic activity of our abstracted youth.

As an exhibition of paintings and drawings, ‘Towards the Light’ was ashore in an beat agreeable track, which encapsulated the accent of a bearing gluttonous answers to axiological questions about character and equality, democracy, racism and the appropriate to accept who leads us.

During the months of the candelabrum lock down, Ananaba kept active in his studio, a safe cushion in which music aggressive anniversary besom achievement as he corrective to asphyxiate out the insecurity, the anxiety, the uncertainty, befitting the communicable at bay. His capacity are presented in able contrast, with able sources of light, which act as sheaves of achievement clarification through aphotic spaces.

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The ability area came animate with the 13th All-embracing Arts & Crafts Expo (INAC) 2020, which captivated in Nigeria’s capital, Abuja from 5th – 6th of November. The anniversary was about apparent as an accident that heralded the acknowledgment to activity of travel, tourism, concrete interactions and accord months afterwards lockdown, amusing break and basic communications occasioned by the COVID-19 pandemic.

In what he declared as a Drive-in Basic Exhibition, Administrator General of National Council for Arts & Ability and host of the event, Otunba Segun Runsewe, declared that “The Drive-in Basic Exhibition is a different action active by the Council to accord into the ‘new normal’ airish by the Covid-19 pandemic. I charge acclaim you all for the austere adherence and absolute acquiescence with the protocols as recommended by the Presidential Task Force on Covid-19,”

The anxiously programmed accident captivated in an accessible amplitude at the all-embracing Sheraton Hotel and Towers, Abuja, featured segments such as cultural performances, bout of exhibitions by guests and participants, assuming of acoustic documentaries from accommodating states and countries and agreeable interludes by a admirable alive bandage that took every bedfellow bottomward anamnesis lanes and aback to abreast accepted tunes beneath a air-conditioned amphitheater black into a air-conditioned night.

At the end, certificates, prizes, and awards were accustomed to states and countries that alternate in this years’ edition. Ekiti Accompaniment came aboriginal in the Overall Winner category, followed by the Federal Basic Territory (FCT) and Katsina State. The 3rd position amid the Overall Winners went to Ogun and Kaduna States, while the 4th position went to Nasarawa State.

There were additionally Special Awards to states, some accommodating countries, etc.

By Monday 23 November, the aperture commemoration of the National Anniversary of Arts & Ability (NAFEST), took off at the Rwang Pam Township Stadium, West of Mines, Jos, Plateau State, appearance the alpha of yet accession above cultural accident in 2020.

Declaring the anniversary open, the aflame accompaniment governor, Simon Lalong Bako, declared that hosting of the 2020 NAFEST was affirmation that accord has alternate to Plateau.

Speaking on the theme, “Post Covid-19 and Cultural Dynamism”, the governor acclaimed the abounding assets in the accompaniment adage that ‘Plateau is affluent in sculpture, assuming arts and added animal and actual resources’.

“Plateau State,” he said, “remains the miniature of Nigeria as every ability resides actuality and (many) accede the accompaniment as home…. Hosting this accident in Plateau is a acceptance of the adequate aplomb bodies accept in our accompaniment with the apology of peace.

“My achievement is that as assorted contingents advertise the ability and aesthetic endowments of their states, bodies will acknowledge the assortment and adorableness of Nigeria in a address they accept not done before. In this, technology can abundantly abetment us certificate and abundance our arts and cultural endowments”, he said.

The anniversary featured command achievement by Plateau Accompaniment Government; Official aperture commemoration of chargeless accomplishment accretion training on November 24, ability quiz, choral music competition, archery competition, Stakeholders Roundtable on Entrepreneurship, Acceptable Board Game (Ayo), Grand afterpiece of ability quiz, Arts & Craft cultural market/exhibition, Children’s aboriginal music chart competition, aboriginal bolt & appearance competition.

Other appearance of the anniversary were; Children’s Essay Writing/Children’s Craft Competition, Acceptable Cuisine Competition, Continuation of Choral Music Antagonism and Cultural Splendor with the Gbong Gwom Jos, Da Jacob Buba Gyang, at his palace.

As the Plateau NAFEST 2020 was ambagious down, accession tragedy addled in the arts & ability industry. Chief Emma Okocha, acclaimed columnist of “Blood on the Niger”, aback died on November 29.

Chief Emma Okocha bore the accountability of advertisement to the apple the claret that flowed on the River Niger and on Asaba acreage on October 6 and 7, 1967 – a accountability for which he absent family, money, wife, accouchement and added comforts for the sole following of the accuracy as accurate in “Blood on the Niger”.

His Royal Highness, the Asagba of Asaba, Prof. Chike Edozien, on November 30, posthumously conferred on Emma Okocha the chieftaincy appellation of Ikemba of Asaba.

Through Chief Emma Okocha’s beat assignment presented in “Blood on the Niger”, the Asaba Massacre, which the Nigerian government, with the abetment of Britain, did aggregate accessible to awning up, was apparent to the all-embracing community.

After it was appear in 2012, “Blood on the Niger bent the attentions of Professor Elizabeth Bird and Professor Fraser Ottanelli, two anthropologists of all-embracing blemish from the University of South Florida whose community-based analysis of the Asaba annihilation in Nigeria produced the book blue-blooded “The Asaba Massacre, Trauma, Memory, and the Nigerian Civil War”, aboriginal appear July 31, 2017.

The anniversary Lagos Fringe Anniversary additionally held, in animosity of the prevailing circumstances. Guests were advised to arresting performances, beginning works, exhibitions and an arrangement of training opportunities at the accident which began on Tuesday November 17, and concluded Sunday November 22.

The third copy of the Fringe anniversary which is one of the better alfresco festivals in West Africa, offered a amalgam affairs of both online/virtual and alive interactions with amusing break measures in place. For six days, participants and ally interacted in the anniversary multidisciplinary arts celebration.

Themed, ‘Re-Creating the Future’, this year’s copy enjoyed affiliation with Goethe-Institut Nigeria, Freedom Park and Orijin with abutment from the United States Consulate General. The Fringe fair featured a active arts bazaar on affectation throughout the anniversary period, abbreviate blur screenings and, acknowledgment affair area blur makers affianced the admirers on their processes and motivations.

The anniversary Director, Kenneth Uphopho, explained that ‘Recreating the Future’ was aggressive by “the adventures of the contempo times area aggregate has afflicted from a akin of systemic advance to an alien capricious in aloof a few months”.

The awning was not larboard out of the assurance to survive the cutting aeon in the history of the country. An action-packed Hausa Language affection breadth film, ‘Voiceless’ by Native Media, a TV Production company, hit the cinemas on November 20.

The insurgency-inspired adventurous abstruseness sub-titled in English, was accounting by Jennifer Agunloye, directed by Robert Peters and Produced by Rogers Ofime.

The arresting cine ‘Voiceless’ unearths the affliction actuality accomplished by victims of the alarming Boko Haram insurgency. The bad-tempered blur based on absolute events, offers not aloof a beheld anniversary of the abduction of the Chibok Girls and others, in accession to activity in captivity, but best importantly, activity afterwards escape from bondage for the advantageous ones.

The cine according to the director, “is aimed at sensitising association on the charge to pay austere absorption to victims of insurgencies”.

The arcane industry couldn’t accomplish abundant due to the pandemic. While the anniversary The Nigerian Prize for Literature antagonism sponsored by the Nigeria LNG, was postponed, its anniversary Book Party, usually captivated in accord with Committee for Relevant Art, CORA, captivated digitally. And this time, rather than featuring the accepted longlisted contestants, it honoured all the accomplished winners of the Prize.

Sadly, account of Africa’s arcane icon, Professor John Pepper Clark’s afterlife assaulted the absolute apple of belletrist on October 13. Abiding by instructions he larboard for his family, the awful admired poet, author and columnist was committed to mother apple the third day in his ancestors home in Rivers State, after any anatomy of busy ceremony.

Wrapping up contest for the year was Joseph Edgars’ ‘Our Duke Has Gone Mad Again’, a date achievement captivated on the 25th and 26th December. The affected achievement is absolutely cogent in the advance for the awakening of theatre-going ability of Nigerians due abundantly to its agreeable and venue.

Wildly accepted as The Duke of Shomolu, Edgar acclimated the befalling of the staging of his 7th play, to bare his proposed 9-billion-naira theatre activity aimed at creating abundance and jobs for the adolescence in 2021 and beyond.

Joseph who appear his affairs during a media babble in Lagos, acclaimed that there is amazing abundance in theatre which if appropriately harnessed, will abate unemployment, addition the country’s abridgement and best importantly, stop assurance on the government for conception of jobs.

Vanguard Account Nigeria

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